Sunday
Canna Varieties
. of the bugle of great dimensions, manufactured in terracotta. its shape not?erfettamente conical but?ostituita from rigonfiamenti. cane peasant Oboe of indios the Guatemalans. In other regions: Colombia and Venezuela by now?aduto in disuse (incaico) several compound from the emptied cane pieces, grafts the uni to you in the others, until catching up one length. By the piece final it comes applied a tail pavilion or. The attacks of canes are reinforce to you so that the instrument is not folded and the suonatore can alone support it. Diffused in the Plateau, only?mpiegato in some festivities in how much they come attributed magical powers to it. It produces the three sounds of the bovine agreement or goat which a cane mouth joins of 10-15 cm. Diffused in the North of the Argentine, the south of Bolivia, the desert of Atacama in Chile?sato in the festivities of carnival emptied cane or with a bone of wing of condor, second the regions. America generally Centers them draft of flauti to spout straight with six lateral holes, is the cherques of indios the Peruvian rights, carves to you in the massive wood is the anatas of the indios Bolivian. of length, opened to the two estremit? of flauto and the that one of the Oboe (preColumbian) typical of the indios of the Plateau. In quechua its name it means "empty". it consisted in a emptied bone pi?ardi came manufactured with cooked, wood, silver or gold with five or six frontal holes or posterior mud. To simple mouth?aratterizzata from the shape to U. Viene used like a flauto straight. ?formata of five canes, to raft, very rarely. It comes above all used from the women of the Plateau of flauto of cane with a horn pavilion legacy with of the leather. Flauto di Ecuadorian Pan of complex fabrication. The canes in decreasing order of length come. A good suonatore, beyond the melodia, to pu?icavare. from a single clay block, stone or hard wood in which they came obtained. Currently it consists in a double emptied cane row, of different largeness and length, tied with to. There are normally eight canes that in the entirety have the dimension. Poich?gni instrument not pu?rodurre that the met?ei sounds of the scale, always uses a pair of sikus complementary, legacies with a long rope, so that two executory ones can play. The sound somiglia to that one of the kena. in all the zone of the Andes, and known also with the names of antara. It consisted of two small is gone of terracotta in communication between they that open was filled up to met?' water. the hole of escape of the other vase was adorned with a head of carved animal blowing in the first one, the sound exited from the mouth of the animal, and the height of the sound came varied by means of the inclination of the instrument finds again some exemplary to you during archaeological diggings in For? (in the figure: sonorous clay vase, For? New York Metropolitan marine shells which a practical small hole, until the bugles of. In Brasi they are of great dimensions and crosspieces manufactured with the same system of the erke. Currently she comes constructed with tubes of. Generally the trutrucas Chilean they do not have pavilion, Enormous clarinetto double constituted from two long unequal canes containing of ance idloglottidi. rituale "male" the?onsiderata cane pi?unga. In design two indios Brazilian they play the instrument. Catalogue Exposici?"La extension Music en el Precolobino Art", Chilean Museum of Precolombina Art, Printed from EDIMPRESS. 1982,. Mere Franco-Lao- Enough revolutionary History of the Latin America through the song -. 1976 Francois Maspero, Paris-.. Editions Jaca Book, Milan (before ediz. "Oyendo to Chile" of Samuel Claro Valdes, Editorial Beautiful Andres, the images of the instruments are drawn from the musical instruments of every age and country "to cure of the Diagram. Collection, translation, elaboration edited by Tonka Mimica for the Hispano chorus American of Milan Milan 22/Dic/02
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